Bela Boutique
The Outfits
Nigdi Pradhikaran, Pune
Mustard and crimson is not a timid combination, and Kavita Goyal's anarkali set does not offer it timidly. The gathered kurta falls in generous pleats from a deeply embroidered yoke — a wide scalloped panel of zardozi and resham worked in pink, green, gold, and red, the motifs dense with paisley and floral forms that belong to the finest North Indian embroidery traditions. The silhouette is midi-length and full, softened further by fabric that has the lightweight crinkle of cotton mulmul. Matching mustard straight-cut pants finish with a thin gold border. Against this the crimson bandhani dupatta — its surface alive with the characteristic white dot patterns of tie-and-dye — falls with the ease of something worn many times before. Gold jhumka earrings, stacked gold bangles. Gold block-heel strappy sandals. A look that knows the occasion and dresses for it completely.
Pistachio green is a colour that does not insist — it suggests, and then it waits. Kavita Goyal's tissue silk straight kurta works entirely within that patience. The neckline carries a modest panel of gold and pink floral zari embroidery with a fine red piping border, and small scattered butis appear across the body of the kurta, each one catching the light at a different angle. The hem finishes with a delicate scalloped lace trim. Below, a layered ruffle sharara in the same tissue silk — its tiered hem pooling slightly at the ground, the fabric's inherent sheen doing the work that embellishment might otherwise attempt. The dupatta is woven with broad silver-gold abstract blocks on a tonal ground, its border finished in lace. Gold embellished platform sandals. Large white kundan jhumka earrings. A composition assembled with restraint and worn with complete ease.