Gitali Designer Studio
The Outfits
Pimpri, Pune
Denim changes the register of everything worn with it. Gitali Lalwani's tunic is cut in a black crinkled cotton that moves like a dress — empire-waisted, tiered, falling to an easy above-knee flare — but its centre of gravity is the yoke. Bands of white braid-stitch embroidery frame the V-neckline in parallel lines, and between them sit white floral motifs worked directly onto the black ground, graphic as woodblock prints. The three-quarter sleeves roll to the elbow with the same casualness the styling asks for: flared blue jeans, black platform sandals, silver jhumkas and a twisted silver kada. The look sits deliberately between wardrobes — kurta logic in the embroidery, weekend logic in the denim. Indo-western dressing, done without fuss.
Yellow this saturated needs conviction, and this co-ord set has it twice over. Gitali Lalwani's short kurta carries dense white threadwork from collar to hem — a close-worked jaal across the yoke around a slim slit placket, then full-blown white roses scattered down the body on their embroidered stems. The hem answers with a scalloped cutwork border, repeated at the cuffs, the openwork letting light through in small, measured arcs. The matching straight trousers carry the scheme to the ankle: sprinkled white butis above their own band of scalloped cutwork. Silver bangles and embroidered juttis finish the look without competing with it. Worn together, the set is sunshine formalised — festive enough for a haldi morning, easy enough for a long lunch. One colour, one craft, carried head to toe.